One way of getting rid of temporality
One way of getting rid of temporality is through repetition. Is each new iteration of a thing a new thing or simply a repetition of the previous one? Are they to be clearly separated or put together in addition or division as many things or just one? Is this a spatial thing now or a mathematical one? You figure it out! They say we don’t count! Obsessive compulsion. Stay in the now. Memory works like drops on a window or dust in a cloud. The father, the son and the holy housecleaner.
–Karl Holmqvist
DAVID MOSER – Memorial Drawings, 2020
permanent marker 3000 on grid DIN A4 paper, fire resistant oversized snap frame, each 62 x 87 cm
DAVID MOSER – Bodies, 2020/2021
BODY 14 (Escalated Desire)
BODY 93 (Nom-du-Père) (Name-des-Vaters)
BODY 18 + 20 (Desire as a Symptom)
acrylic DIN A 4 displays, cross-head screws, signatures, number stickers
DAVID MOSER – Wipe Out with Wite•Out and Cover the Holes, 2020/2021
grid DIN A4 paper , Wite•Out (American equivalent for Tipex-Ex®, Swarovski crystal earring stickers and piercings, A4 acrylic portrait display
photos: Ivan Murzin
SELECTED PRESS
Frankfurter Allgemeine Zeitung
Friday 5, 2021 – print edition
“Minimal stotternd” by Christoph Schütte
BIOGRAPHY – David Moser
Born 1993 in Zurich, Switzerland living and working in Frankfurt am Main
EDUCATION
2018 – Hochschule für Bildende Künste – Städelschule, Frankfurt am Main
2014 – 2018 Kunsthochschule Berlin Weissensee, Berlin
PUBLICATIONS
2019 “Ich bin Sandra”, Printer fault press
SCOLARSHIPS
Cusanuswerk
SOLO EXHIBITIONS
2021 “Fix”, JeanClaudeMaier, Frankfurt am Main
2020 “Untitled”, Wein&Co, Zurich
2019 “T”, Johanne, Frankfurt am Main
2017 “Untitled”, Upstairs at €rix, Berlin
SELECTED GROUP EXHIBITIONS
2020 “Covid Dairies” Lovaas Projects, Munich
2018 “The Axial Line” PS120, Berlin
2018 “Side effects”, Bayer Kultur, Leverkusen
2018 “Dotland II“ Peninsula, Old West Cigarette factory, Berlin
